Maker Faire: I Go for the Art of It

Tape art stuck to me like glue.

Tape art stuck to me like glue.

Each year the Maker Faire surprises me. I think it will essentially be the same thing as last year, but I always find something that jumps out at me as wildly creative and inventive.  

Which is not to say that all of the exhibits are winners. Occasionally, I'll amble up to a table with a hand-drawn poster board sign inviting me to build something out of pipe cleaners — or something similarly outdated. There are a few exhibits that have clearly been trotted out to every Burning Man and Stanford-sponsored science kids' camp in the last decade. But I'm usually pleasantly surprised, and this year was no different. 

This year what stuck with me the most was tape art. If you've never thought of masking tape as an artistic medium, the folks who created Tapigami have found a way to transform ribbons of paper and glue into flowers as pretty as cake icing and tribal village sculptures that cluster together under clothes-hanger covered skies. They'll happily rip off a new piece of one-sided tape and show you how to bend, fold, and crease your way into the art form. They taught me a few tricks to help with architecting formless tape into structures that can stand up to the relentless force of gravity. It's gorgeous and unexpected and wonderful. 

I'm surrounded by science nerds in San Francisco, but art and literature and music are the things that inspire me, and based on the photos I took that were worth keeping, it's clear that's what I gravitated toward. One understated booth that impressed me in a big way was the California College of the Arts table (near our own Autodesk cluster of booths). They exhibited student work centered around building egg-like structures. They are constructed of wood, string, and weird plastic-like materials, some of which were even cast from molds. It seemed like the perfect way to get art and design students thinking about how to use 3D modeling software for both art and architecture. It made me want to go to art school.

My Ongoing Rdio Churn

I'm a music nerd. I've tried just about every music service out there, and none of them really works for me. If Apple follows through on the song-streaming service that has been rumored to be in the works seemingly forever, then perhaps I will finally get what I need. Or perhaps not because I'm pretty fickle. (Even if Apple does create a streaming service, will it have any kind of friend or social component? They proved with Ping that they're not good at social, so what's to think they could nail it with a streaming service.)

Of all the streaming services, the only one that comes close to fitting my needs is Rdio. And yet... I always find it lacking. I think I have churned — subscribed and unsubscribed and subscribed again — four times now with Rdio. Maybe more. I keep coming back, and I'm back at it again this month.

Here's why I want to love Rdio: 

  • They have the best design, IMHO. Design matters to me. A lot. And they keep innovating on their many apps and listening options. 
  • They have a reasonably deep catalogue of music.
  • I can play it on my Sonos at home (for an extra fee).
  • I mostly like the way I can view my friends' music collections. Their social details seem to be the best in my cursory comparison with other services (e.g., Spotify).

But here's why I may churn (yet again!) and unsubscribe after one month (yet again!):

  • I've seen some bugginess here and there. Their help links on mobile, if I remember correctly, used to push me to a signed-in view, so I couldn't actually read the help documentation. This may have since changed. Little things like that are to be expected from startups, so not the end of the world. 
  • They don't have a deep enough catalogue of music. While it's impressive, when I compiled my April 2013 playlist — which I took directly from a playlist of purchased songs on iTunes — I couldn't find 5 out of the 21 songs on Rdio. That means over 20% of the songs I went looking for weren't on Rdio. I understand that they are always adding more, but that's an abysmal percentage for a music nerd completist like myself. 
  • I have to pay extra to play Rdio on my Sonos. I totally get it. They need to have tiered subscriptions, but it's a drag for any consumer to have to pay extra for something they know they won't use all that often but nevertheless want the option to be there. 
  • The sad truth is that I don't end up getting a lot of great recommendations for new music from my friends. Some of them have great taste in music, but I'm not feeling the gee-whiz-where-has-this-music-nerd's-playlists-been-all-my-life discovery that I always want. And I'm not certain anyone really looks to me for music suggestions, either. Maybe music taste isn't as share-able online as we  expect it to be (for some unexplainable reason).
  • Most important: I fear they will lose the battle to Spotify. The Spotify folks are pretty great at building excitement by roping in artists for live Spotify events. They've got branding muscle and advertising dollars to flex that muscle. The battle isn't won yet, but sometimes the better product loses in these battles (e.g., VHS vs. Beta).

But I don't want to sound too harsh. I still think Rdio is the best service out there. It just doesn't satisfy my need for discovery. Then again, I think that my relentless focus on discovery may only be truly satisfied by human DJs. The kind you can still  only find on old-school radio. 

The Best Japanese Old-Timey Musician You’ve Never Heard Of

Toshio Hirano

Last week I was thrilled to see that I was quoted in the Sacramento Bee:

"I don't think it's ironic at all," said fan Eric Suesz, sitting at a table in the back with two buddies. "Some might think it's ironic because he's Japanese and doing roots music. But it's genuine. He has a genuine love for Jimmie Rodgers and songs from the '30s. I've seen him many times."

Super thrilled on one important level: I delivered the Sacramento Bee as a middle schooler (almost the same age as Henry — ack!), so it feels like a nice circling back to be quoted in the paper I delivered as a kid. But also thrilled because of its subject.

The story is about Toshio Hirano, the Japanese old-timey music singer you've probably never heard of. I was at one of his recent shows at The Rite Spot with my buddies Christian and Demian when I was approached by the columnist who wrote the article. He was in town visiting from Sacramento and someone had suggested he go check out this guy Toshio. Apparently, the hipster who tipped him off thought that Toshio was funny or "ironic" in some way. That's the context for my quote, and I was happy to provide any kind of gushing quotation about Toshio because he deserves the attention.

Perhaps the only reason I know about him is that I happened to walk past the smallest stage at the Hardly Strictly Bluegrass festival one year, and he happened to be playing. Since then, I've probably seen him at least half a dozen times, and I plan on at least half a dozen more. When I moved into my old apartment on Church Street in Noe Valley, I was dumbstruck to run into him on the street one day walking two dogs and happy to discover that he lived just two doors down from me. Over time, I've had a lot of really short but nice conversations about dumb things like the weather, but he also would talk to me about music and Jimmie Rodgers. He loves talking about Jimmie Rodgers! He's definitely one of the nicest people I've ever met in San Francisco, and he seems to have an ideal life with a pretty wife and two smart teenage kids. I often remember hearing the quiet warble of his daughter's trombone drift by my apartment window as she practiced on warm evenings when I would keep the windows open late.

I guess I would say he deserves a wider audience, too, but I never did realize that he doesn't have any music to sell you. Go look him up in iTunes, and you'll find nothing. He does have a rudimentary website, but he's really just a local musician who loves Jimmy Rodgers and Hank Williams and who has funneled how dramatically those artists' songs have shaped him right back into live performances of their work (and other old-timey artists, but chiefly these two). He regularly plays at The Rite Spot and occasionally elsewhere, but for the most part, he's a locals-only attraction. So, if you're in San Francisco, get out there and catch a glimpse. He regularly plays at The Rite Spot and the shows are always free. Donations accepted.

Here's a nice preview of a mini documentary someone put together about him: